Music: Performance: Collaborative Piano, MM

The Music: Performance: Collaborative Piano, MM: what it asks for, in what order, and who teaches it. This guide was started from the catalog; its own introduction is still to be written.

The map: what comes before what Every program

34credits in the major

The degree

See it on the map

What the degree asks for, group by group. The map sets out every course by how many must come before it; open a course there to see what it needs and what it opens.

Required · 8 credits

Applied study

Four semesters at least, 2 credits each. Applied lessons are repeatable: the credits are reached over several terms, and a single course here stands for all of them.

MUSPERF-542MASTERS LEVEL COLLABORATIVE PIANO2-3

Required · 2 credits

Recitals

Two recitals, one vocal and one instrumental, 1 credit each.

MUSPERF-990MASTERS RECITAL1-4

Required · 3 credits

Duo sonata

MUSIC-796SEMINAR IN DUO SONATA LITERATURE3

Choose three · 6 credits

Accompanying emphasis

By emphasis: vocal accompanying is MUSIC 467, 468 and 557; instrumental accompanying is MUSIC 466 and a semester of one of the chamber ensembles.

MUSIC-467LANGUAGE DICTION FOR SINGING I2
MUSIC-468LANGUAGE DICTION FOR SINGING II2
MUSIC-557OPERA WORKSHOP2
MUSIC-466DICTION FOR SINGERS2
MUSIC-565ADVANCED ENSEMBLE-WOODWIND1
MUSIC-567ADVANCED ENSEMBLE-BRASS1
MUSIC-568ADVANCED ENSEMBLE-PERCUSSION1
MUSIC-569ADVANCED ENSEMBLE-STRING1

Choose one · 2 credits

Vocal literature

2 credits: MUSIC 346 if there is no prior experience, or MUSIC 792.

MUSIC-346REPERTOIRE1-2
MUSIC-792SEMINAR IN VOCAL LITERATURE3

Choose three · 9 credits

Musicology and music theory

At least one course in musicology and one in music theory, from the approved lists; 9 credits, earned at UW-Madison. The Guide also lists MUSIC 823, which has no page among its courses, so it is not drawn.

MUSIC-405SEMINAR: CULTURAL STUDY OF MUSIC3
MUSIC-411SURVEY OF MUSIC IN THE MIDDLE AGES3
MUSIC-412SURVEY OF MUSIC IN THE RENAISSANCE3
MUSIC-413SURVEY OF MUSIC IN THE BAROQUE ERA3
MUSIC-414SURVEY OF MUSIC IN THE CLASSIC ERA3
MUSIC-415SURVEY OF MUSIC IN THE ROMANTIC ERA3
MUSIC-416SURVEY OF MUSIC IN THE TWENTIETH CENTURY3
MUSIC-419MUSIC IN THE UNITED STATES3
MUSIC-497SPECIAL TOPICS IN MUSIC1-3
MUSIC-511HISTORICAL PERFORMANCE PRACTICES3
MUSIC-513SURVEY OF OPERA3
MUSIC-515PROSEMINAR IN ETHNOMUSICOLOGY3
MUSIC-516ETHNOGRAPHIC METHODS FOR MUSIC AND SOUND3
MUSIC-821HISTORICAL MUSIC THEORIES 13
MUSIC-822HISTORICAL MUSIC THEORIES 23
MUSIC-911SEMINAR IN MUSICOLOGY3
MUSIC-915SEMINAR IN ETHNOMUSICOLOGY3
MUSIC-523ORCHESTRATION I3
MUSIC-621RENAISSANCE POLYPHONY3
MUSIC-622BAROQUE COUNTERPOINT3
MUSIC-623FORM AND ANALYSIS2-3
MUSIC-624FORM AND ANALYSIS II2-3
MUSIC-629JAZZ THEORY AND ANALYSIS3
MUSIC-921CURRENT ISSUES IN MUSICAL THOUGHT 13
MUSIC-927SEMINAR IN COMPOSITION3

Meet your instructors

Everyone teaching a course in this degree this term, by the part of the degree they teach in. Expand an area to see who is in it; someone teaching in two areas appears in both, with that area’s courses on each card. A Full-time band on a photo means that instructor is full-time faculty. Every email here works; use it.